A tech enthusiast and web developer with over 10 years of experience in helping beginners build their first websites affordably.
The true crime category has an innovative format, or perhaps even a completely fresh vocabulary and grammar: police body cam footage. Countenances of those harmed, observers and potential offenders loom up to the cameras, at times in the intense brightness of vehicle beams or flashlights as the police arrive, their faces and voices eloquent of caution or fear or indignation or dubiously feigned naivety. And we often incidentally glimpse the expressions of the law enforcement personnel, one waiting impassively while the other asks the questions with what sometimes seems like extraordinary diffidence – though maybe this is because they are aware they are being recorded.
We have previously seen the Netflix true-crime documentary American Murder: Gabby Petito, about the slaying of an Instagram influencer by her partner, whose main point of interest was body cam footage and in which, as in this film, the law enforcement seemed extraordinarily lax with the perpetrator. There is also Bill Morrison’s Oscar-nominated short Incident, composed entirely of officer footage. Now comes a new film by Geeta Gandbhir about the tragic incident of a Florida mother in a city in Florida, a woman of colour whose children reportedly bothered and tormented her neighbor, a local resident. In 2023, after an increasing number of neighbour-dispute incidents in which the police were summoned multiple times, Lorincz shot Owens dead through her locked door, when Owens went to the neighbor's residence to confront her about throwing objects at her children.
The arresting officers found proof that the suspect had done internet searches into the state's self-defense statutes, which allow residents and others to shoot if there is a significant presumption of threat. The documentary constructs its narrative with the officer recordings generated during the repeated police visits to the location before the shooting, and then at the disturbing and disordered incident site itself – introduced by 911 audio material of the caller calling the police in a dramatically trembling voice. There is also police cell footage of the individual which has a disturbing, unsettling appeal.
The film does not really imply anything too complicated about Lorincz, or any mitigating factors. She is clearly unstable, although the children are heard calling her a derogatory term, an ugly jibe. The production is presented as an example of how “stand your ground” laws generate senseless and tragic violence. But the fact of firearm possession and the second amendment (that longstanding U.S. legal right that a deceased pundit famously claimed made gun deaths a price worth paying) is not much emphasized.
It is possible to watch the police interrogation scenes here and feel surprised at how little interest the officers took in this aspect. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Had she ever had occasion to fire it before? Where did she store it in the house? Could it have been easily accessible and prepared? The authorities aren’t shown asking any of these surely relevant questions (though they could have inquired in recordings that didn’t make the edit). Or is gun ownership so normal it would be like asking about microwaves or toasters?
For what seemed to her neighbors a very long time, Lorincz was not even taken into custody and indicted, only detained and even offered a hotel stay away from home for the night (another point of comparison, by the way, with the Gabby Petito case). And when she was finally officially taken into custody in the detention area, there is an remarkable scene in which the individual simply declines to rise, will not extend her arms for the cuffs, not hostilely, but with the courteously pathetic demeanor of someone whose psychological state means that she is unable to comply. Had the kid-gloves treatment up until that point led her to think that this could be effective?
It was not successful; and the jury’s verdict is revealed in the closing credits. A deeply sobering portrayal of American crime and punishment.
A tech enthusiast and web developer with over 10 years of experience in helping beginners build their first websites affordably.